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Shorthand Calligraphy: The Art of Writing Signs That Breathe

Shorthand Calligraphy: The Art of Writing Signs That Breathe By Martín Córdoba Shorthand has historically been regarded as a technique in service of speed, synthesis, and precision. For years, I practiced it as a parliamentary and sacred oratory stenographer; I used it in shorthand speed competitions, taught it to new generations of students, and valued it as an indispensable tool for faithfully recording the spoken word. However, over time, I discovered that shorthand signs, far from being mere functional strokes, possess their own aesthetic strength: a silent beauty that reveals itself when observed with different eyes, the eyes of someone who contemplates; not someone who races. Thus was born, almost as an artistic intuition, shorthand calligraphy . Not as a rejection of the system’s original purpose, but as an expansion of its meaning. This practice involves the handcrafted creation of shorthand signs for visual and expressive purposes, not for speed or utility. It’s a way of w...
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“Where the Sign Breathes” (poetry)

  “Where the Sign Breathes” By Natalia Martínez In the pause of the stroke the sign is born, not out of urgency, but of form. It is a figure that listens, a line that senses the silence between words and writes it. Each circle, each ellipse, each stroke drawn to the rhythm of the pencil,  carries the memory of a voice not yet spoken. There is no haste. Only the pulse. Because here, on this waiting page, geometry does not calculate: it breathes. And what was once a system,  becomes art; what was once a code, a gesture; what was once a craft, devotion. Look at the signs as if they were music. Listen to them as if they were image. They never stopped. They follow us. And wait for us, in every slow stroke where writing too becomes a prayer.
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Shorthand Calligraphy Sheets

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We also recommend visiting the section titled  “Láminas escritas en taquigrafía para práctica de lectura y apreciación visual” on the blog  La Taquigrafía  ( www.lataquigrafia.blogspot.com ), where the sheets, created between February and August of 2010, can be viewed and/or downloaded freely. They are accompanied by poetic epigraphs written by Lic. Natalia Martínez. “Each sign drawn slowly holds the breath of a word not yet spoken.  To honor its form is to listen to its silence” (Martín Córdoba). “The visual journey ends here, but the signs continue breathing beyond the page. You may close this window, or stay a moment longer where writing becomes silence” (Martín Córdoba).
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Epigraphs for Shorthand Calligraphy

Epigraphs for Shorthand Calligraphy By Natalia Martínez and Martín Córdoba “The sign drawn with soul does not repeat sounds: it translates silences.” “In every variation of the sign, a moment stays to live.” “When shorthand breathes, it does not record speeches: it keeps heartbeats.” “The pencil does not run; it walks as if praying the outline of a voice.” “Those who observe the signs without seeking meaning discover a music that needs no reading.” “Each sign is a thread of silence that learned to draw itself.” “Here shorthand does not memorize: it remembers the soul that dictates it.” “When the pencil listens, the stroke becomes presence.” “A well-drawn sign does not ask for interpretation: it offers companionship.” “What seems code is sometimes a prayer.” “Shorthand, if written slowly, sings.” “Just as there is writing that shouts, there is writing that prays.” “Beauty is not in speed, but in the care of each line.” “There are signs that listen better than many words.”...
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With Her (Stenography)

With Her (Stenography) "Con ella", Cristian Castro (link to the song). As in the song, stenography is sometimes written with the soul: when it is slow, silent, far from the noise of speed. Sometimes it transforms us. Sometimes it quietly accompanies us. And like all true love, it is not meant to be understood, but felt. “And the silence that was as vast as the sky was filled with an ‘I love you’ from here to eternity.” This space has been that for me: a shared silence, full of signs, of letters, of companionship. Thank you to those who read, felt, and allowed themselves to be accompanied by the signs and by these words. Thanks also to those who supported this vision, like Natalia Martínez, whose poetry and sensitivity helped stenography reveal its full beauty. From here, with affection, Martín Córdoba
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